Skip to main content

ReBalance - Is Positive Discrimination towards Women in Music the way Forward?



The Leeds based 'ReBalance' project will run for three years and each month will provide a female musician, solo artist or female fronted band with a week in a recording studio, with all the expenses, travel and accommodation paid for by Festival Republic.

However, is positive discrimination the best way to showcase female talent and create a more equal music industry?

On one hand positive discrimination is viewed as a necessary part of promoting female artists, so that they can break through the glass ceiling.

Alternatively, positive discrimination can be viewed as PC gone mad. Was Benn right in saying that the reason why men dominate the music industry is simply because there's a higher demand for male artists and bands?

Or should we not take gender into consideration and just focus on a musician's talent and the quality of their music?

Rock duo Chambers, are one of the bands nominated for a recording slot with ReBalance. 

Their drummer Eleanor Cara Churchill said: "Feminism still has an important place in the music industry. It is a fact that men do dominate the industry and  female artists have to fight harder to be taken seriously.

"That's why it's so important to have projects like ReBalance and all female festivals like Substance Live or Sisterhood, because it gives women the time to shine and the opportunity to showcase their talent."


Natalie Sharp  fronts the experimental synth-pop group 'Lone Taxidermist', who earlier this year performed at female orientated festivals: Substance Live and The Future is Female. Sharp believes that projects that positively discriminate towards women are a good way to raise awareness of the issues that women face in the music industry.

"2017 has been a funny year for me, almost every show I've done has had a focus on gender or being a woman.

"Admittedly positive discrimination is quite an extreme way of doing something, but there is a point to it. There needs to be a more level playing field," said Sharp.


Contemporary folk artist Sally Currie, a.k.a. The Dyr Sister, agrees with Sharp believes that positive discrimination in music festivals and projects  "is a massive step in the right direction."

She said: "It’s great that there are more opportunities for women to show off exactly what they’re capable of. It's a sexist industry and female orientated festivals are a great way to tackle the fact that all female or female fronted bands are often overlooked."


One of the main issues women in music face is the pressure to use one's image or sexuality in order to become more marketable.

Jamie Otsa works as publicist at Wall of Sound PR and artist manager at Access Management and believes there is "a very unhealthy level of misogyny in the music industry" and that "feminism should be at the forefront" of the music industry, regardless of its competitive nature.

"I know women that have been discriminated against when looking for employment, have been sexually, physically and mentally abused, have been told they will never make it as an artist unless they are willing to use their sexuality as a sales tool, have been told to change things about their appearance, have struggled to be taken seriously, and have come up against pay inequality disputes.

"I think one of the most toxic issues is that women who work in music are still seen as 'groupies' by some men. They can’t possibly fathom that there might be professional, capable women with agency who want to build a career in an industry they are passionate about, rather than trying to sleep with the bands.

"All this and much more simply because of their gender.

"I think it’s important to understand that achieving equality doesn’t necessarily just mean starting out with an equal platform for everyone. Some people need more support than others. It’s important that women have spaces where they feel able to express themselves and enjoy themselves without fear of alienation," said Otsa.

Doctor Brown's, a music venue in Middlesbrough, disagreeswith the notion of positive discrimination and  recently implemented a ban on female fronted bands, telling the Northern Echo that they believe that "women can't sing rock."

The pub's manager Paula Rees, said that the ban was due to the fact that her "customers don't like female fronted bands. It's not an attack on female musicians, it's just that they don't bring big the crowds in."

Although Doctor Brown's ban on female fronted bands was initially implemented to please her regulars and improve custom, it has actually had the opposite effect. The decision has been very unpopular with the local community, with many locals and bands boycotting the venue. Protesters gathered outside the venue on December 21st 2017 and sang rock songs by female fronted bands.

This arguably proves that representing female musicians is beneficial to a venue or music related business, as people were outraged at Doctor Brown's for openly admitting to not wanting to represent female musicians.

Musician and artist Sophie Ruth Ascough was one of the organisers of the protest, stating that the ban was "terrible" and "made no sense in 2017."

 However, Ascough also doesn't believe that positive discrimination is the best method for the music industry to become more inclusive, as it alienates non-binary people.

"I think to better represent women we need to give them more of a platform. Make sure local gigs and festivals involve women and make sure they are written about in local magazines and publications.

"I've been in bands since I was 16 and honestly the way you are treated as a young female musician is nothing short of patronising.

"You're either put in a pedestal for being a female musician or trashed because of it. I want to be referred to as a 'musician' or 'artist' without it always being prefixed by 'female'.

"However, any discrimination scares me even if it's 'positive'.  I really like the idea of bringing women to the front and actively making spaces where there are more women involved, but the idea of an all female project or festival worries me too. I don't want to discriminate against anyone, and I feel like an 'all female' project would definitely alienate people in the  LGBTQ+ community who maybe identify as non binary."



Mike Buchanan, head of the far right-wing political party 'Justicefor Men and Boys', believes that the positive discrimination towards women in the music industry would have "an anti-meritocratic effect" on the industry.

Buchanan said: "The Campaign for Merit in Business published a report on how there is a causal link between increasing female representation on corporate boards and declining financial performances.
Therefore, it is possible that the music industry could face some serious issues if they implement gender quotas or carry on organising all female festivals and gigs.

Plus the concept of an all female festival sounds rather tedious. Feminism is a gender supremacy movement which destroys families and wider society and belongs in the dustbin of society." 

It's safe to say that there isn't a quick or easy solution to the issues women face in the music industry. A single festival or project isn't going to magically transform the industry. Ultimately, it is up to consumers to decide which artists and bands sell records and therefore are chosen to play festivals.

However, the standard festival line up is very male-centric , so perhaps these extreme tactics are required in order to give female musicians the exposure that male musicians receive.

The majority of people support the notion of positive discrimination towards women in music and projects like ReBalance. At the very least ReBalance will inject 36 new releases from up-and-coming artists into the market, and at most it'll help to break down barriers for women in music.

Regardless of the project's level of success, there will be some sort of positive outcome and it's definitely a step in the right direction. We'll just have to wait and see.

FOLLOW SOUNDS OF AN ECCENTRIC

Comments

Popular posts from this blog

Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance.  The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality.  The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Middlesbrough Pub Bans Female Fronted Bands

Middlesbrough pub and rock music venue; Doctor Brown's ; has caused outrage after implementing a ban on female fronted bands, stating their customers believe that women can't sing rock music well. The story gained national attention after The Northern Echo published a damning article on the situation.  Consequently, residents and musicians have started to boycott the venue. I contacted Doctor Brown's to hear their side of the story. Had the situation been blown out of proportion on social media, or were outdated, sexist attitudes being called out? Paula Rees, the pub's manager cited that the Northern Echo had lied and "twisted her words" and she was eager to talk to me to "set the record straight". She said that was more than happy to talk, asking me to ring up later when the pub was a little quieter. Rees also confessed that she wasn't a "big rock fan" and was just going with what her customers wanted, stating that they had

'YOUR TRIP BEGINS NOW' - THE FROOT '67 E.P. REVIEW

'Your trip begins now' is the latest four track E.P. from Hull's finest pysche rock outfit: The Froot '67.  As the name would suggest, the group's roots are planted within dynamic 60's rock and the band have revitalised this era through their bold, gritty sound. The E.P. opens with 'Chaos Theory', a track that is fuelled by frantic and beefy lo-fi riffs, whilst Newby's vocals take a more subtle, nonchalant route. Despite being a psyche rock track, the overall sound of the song reminds me of a more reserved version of 'Gravedweller' by The Wytches. It's a very different sound to their debut album; '7 past 8'; but this grungier edge is definitely a good thing for the group. It's broadening their sound without destroying the unique vibe they've already established for themselves. Plus, it;s a really engaging opening to the E.P. and sets a raw, and somewhat brooding, ambiance for the E.P. The following track, 'I don&#