Skip to main content

ReBalance - Is Positive Discrimination towards Women in Music the way Forward?



The Leeds based 'ReBalance' project will run for three years and each month will provide a female musician, solo artist or female fronted band with a week in a recording studio, with all the expenses, travel and accommodation paid for by Festival Republic.

However, is positive discrimination the best way to showcase female talent and create a more equal music industry?

On one hand positive discrimination is viewed as a necessary part of promoting female artists, so that they can break through the glass ceiling.

Alternatively, positive discrimination can be viewed as PC gone mad. Was Benn right in saying that the reason why men dominate the music industry is simply because there's a higher demand for male artists and bands?

Or should we not take gender into consideration and just focus on a musician's talent and the quality of their music?

Rock duo Chambers, are one of the bands nominated for a recording slot with ReBalance. Their drummer Eleanor Cara Churchill said: "Feminism still has an important place in the music industry. It is a fact that men do dominate the industry and  female artists have to fight harder to be taken seriously.

That's why it's so important to have projects like ReBalance and all female festivals like Substance Live or Sisterhood, because it gives women the time to shine and the opportunity to showcase their talent".


Natalie Sharp  fronts the experimental synth-pop group 'Lone Taxidermist', who earlier this year performed at female orientated festivals: Substance Live and The Future is Female. Sharp believes that projects that positively discriminate towards women are a good way to raise awareness of the issues that women face in the music industry.

"2017 has been a funny year for me, almost every show I've done has had a focus on gender or being a woman.

Admittedly positive discrimination is quite an extreme way of doing something, but there is a point to it. There needs to be a more level playing field", said Sharp .


Contemporary folk artist Sally Currie, a.k.a. The Dyr Sister, agrees with Sharp believes that positive discrimination in music festivals and projects  "is a massive step in the right direction".

She said: "It’s great that there are more opportunities for women to show off exactly what they’re capable of. It's a sexist industry and female orientated festivals are a great way to tackle the fact that all female or female fronted bands are often overlooked".


One of the main issues women in music face is the pressure to use one's image or sexuality in order to become more marketable.

Jamie Otsa works as publicist at Wall of Sound PR and artist manager at Access Management and believes there is "a very unhealthy level of misogyny in the music industry" and that "feminism should be at the forefront" of the music industry, regardless of its competitive nature.

"I know women that have been discriminated against when looking for employment, have been sexually, physically and mentally abused, have been told they will never make it as an artist unless they are willing to use their sexuality as a sales tool, have been told to change things about their appearance, have struggled to be taken seriously, and have come up against pay inequality disputes.

I think one of the most toxic issues is that women who work in music are still seen as 'groupies' by some men. They can’t possibly fathom that there might be professional, capable women with agency who want to build a career in an industry they are passionate about, rather than trying to sleep with the bands.

All this and much more simply because of their gender.

I think it’s important to understand that achieving equality doesn’t necessarily just mean starting out with an equal platform for everyone. Some people need more support than others. It’s important that women have spaces where they feel able to express themselves and enjoy themselves without fear of alienation" said Otsa.

Doctor Brown's, a music venue in Middlesbrough, disagreeswith the notion of positive discrimination and  recently implemented a ban on female fronted bands, telling the Northern Echo that they believe that "women can't sing rock".

The pub's manager Paula Rees, said that the ban was due to the fact that her "customers don't like female fronted bands. It's not an attack on female musicians, it's just that they don't bring big the crowds in".

Although Doctor Brown's ban on female fronted bands was initially implemented to please her regulars and improve custom, it has actually had the opposite effect. The decision has been very unpopular with the local community, with many locals and bands boycotting the venue. Protesters gathered outside the venue on December 21st 2017 and sang rock songs by female fronted bands.

This arguably proves that representing female musicians is beneficial to a venue or music related business, as people were outraged at Doctor Brown's for openly admitting to not wanting to represent female musicians.

Musician and artist Sophie Ruth Ascough was one of the organisers of the protest, stating that the ban was "terrible" and "made no sense in 2017".

 However Ascough also doesn't believe that positive discrimination is the best method for the music industry to become more inclusive, as it alienates non-binary people.

"I think to better represent women we need to give them more of a platform. Make sure local gigs and festivals involve women and make sure they are written about in local magazines and publications.

I've been in bands since I was 16 and honestly the way you are treated as a young female musician is nothing short of patronising.

You're either put in a pedestal for being a female musician or trashed because of it. I want to be referred to as a 'musician' or 'artist' without it always being prefixed by 'female'.

However, any discrimination scares me even if it's 'positive'.  I really like the idea of bringing women to the front and actively making spaces where there are more women involved, but the idea of an all female project or festival worries me too. I don't want to discriminate against anyone, and I feel like an 'all female' project would definitely alienate people in the  LGBTQ+ community who maybe identify as non binary".



Mike Buchanan, head of the far right-wing political party 'Justicefor Men and Boys', believes that the positive discrimination towards women in the music industry would have "an anti-meritocratic effect" on the industry.

"The Campaign for Merit in Business published a report on how there is a causal link between increasing female representation on corporate boards and declining financial performances.
Therefore it is possible that the music industry could face some serious issues if they implement gender quotas or carry on organising all female festivals and gigs.

Plus the concept of an all female festival sounds rather tedious. Feminism is a gender supremacy movement which destroys families and wider society and belongs in the dustbin of society" said Buchanan.

It's safe to say that there isn't a quick or easy solution to the issues women face in the music industry. A single festival or project isn't going to magically transform the industry. Ultimately, it is up to consumers to decide which artists and bands sell records and therefore are chosen to play festivals.

However the standard festival line up is very male-centric , so perhaps these extreme tactics are required in order to give female musicians the exposure that male musicians receive.

The majority of people support the notion of positive discrimination towards women in music and projects like ReBalance. At the very least ReBalance will inject 36 new releases from up-and-coming artists into the market, and at most it'll help to break down barriers for women in music.

Regardless of the project's level of success, there will be some sort of positive outcome and it's definitely a step in the right direction. We'll just have to wait and see.

FOLLOW SOUNDS OF AN ECCENTRIC

Comments

Popular posts from this blog

Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance.  The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality.  The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

demos or my nightmare? - CULT LUST demo review

Indie gigs have changed. Gone are the days when you danced or bopped along to the likes of Swim Deep  or Peace , indie kids want to mosh. Hence the birth of Cult Lust,  a ferocious fusion of fuzzy guitar and relentless percussion,that creates a heavy lo-fi sound. It's called skuz-pop - don't worry, I had to do google it too! Just imagine a band who's primary concern is making loud, gritty, grungy tunes. Despite only forming a few weeks ago, the band have already produced a two track demo; promoted via their active and bountiful social networking platforms. Both tracks are fairly lengthy (approx 10 mins combined), meaning the group are already a third of the way to having a live set under their belt. It's a really candid and raw recording, giving you insight into their practice sessions. This is best represented by the second track 'headf*ck' being opened by their front man saying "anyway, here's wonderwall" before exploding asking his fellow

Quirks Behind the Music - CULT LUST's Sam and Owen

For those readers who aren't familiar with you and  your sound, tell us a little about yourself and your music? We’re Cult Lust! We’re a scuzzy garage trio from  Newcastle-Upon-Tyne, we like to think we’re loud as fuck but probably not to the point where it becomes obnoxious, which is sort of a disappointment. We use a collaboration of horrible old fuzz pedals tied to ropey old vintage guitars, topped off with clean technical riffs and a heavy driving percussion force to produce a louder than life sound. Which artists have inspired both your music and your personal tastes? Owen – I started listening to Led Zeppelin when I was seven and I started playing drums because John Bonham’s drums sounded so good to me and I just wanted to be like him instantly. I grew my hair and got my first drum kit at 7 and it’s led me to where I am today. I’ve picked up a lot from other drummers because I’m self taught so there’s probably a bit of jazz influence in my drumming too . Sam