Skip to main content

Gig Review - Kasabian with support from Slaves - Leeds First Direct Arena


British rock veterans Kasabian played a ram-packed show at Leeds First Direct Arena last night, proving that after twenty years and six albums, they're stronger (and ballsier) than ever.

Kicking off the night was neo-punk duo Slaves. Their brand of no-nonsense, aggressive punk rock resonated with a gritty, bold energy, enlivening the crowd through a series of  ebullient riffs and snarling vocals.

The highlight of their set was their track 'Cheer Up London'. After enticing the audience with an candid, brooding monologue, the band exploded into the ferocious track. Fuelled by the infectiously catchy lick of: "You're dead already, dead dead already ready", Slaves invigorated the crowd into a full blown riot.




At 9pm Kasabian swaggered onto the stage, all dressed in white like an edgy Clockwork Orange gang.

A low rumble echoed through the arena, heightened by lilac strobe lights, before a pulsing drum beat pierced the atmosphere, filling the room with the tune of 'Ill Ray'.



Their latest album (' "For Crying Out Loud" ') has slotted seamlessly into their set, adding an upbeat, mature air to their sound. The incorporation of brass instruments gave their tunes a full-bodied sound and works well with their well-loved distorted rock riffs.

This variety has played a vital part in keeping Kasabian's music fresh over the decades. Their poppier tracks ( such as: 'Shoot the Runner', 'eez-eh', 'Bless this Acid House') emit a radioactive energy that got the whole crowd dancing and singing. Countless of teenagers mounted their friend's shoulders and bopped along nine at feet in the air.

However, this didn't take away from their grittier tracks ( 'Underdog', 'Clubfoot', 'Re-Wired'). Their signature distorted and oh so heavy riffs hypnotised the crowd, cementing them as a fully-fledged rock group, without a hint of indie lurking in the background.

During the instrumental in 'L.S.F.' guitarist  Sergio Pizzorno started to chant "mosh", resulting in half the standing area (and some of the more inebriated seating) to collide into a manic mosh pit.

Their flawless set concluded with a three track encore of 'Comeback Kid', 'Vlad' and their biggest hit: 'Fire' - making the crowd erupt like sharks in a frenzy.


From wild mosh pits, to illuminating the room with lighters and mobile phones, Kasabian know how to work a crowd and never fail to produce stellar rock music. Their iconic anthems were made for arenas and always unite thousands of adoring fans of all ages through their first-class performances.


FOLLOW SOUNDS OF AN ECCENTRIC

Comments

Popular posts from this blog

Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance.  The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality.  The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Poison - Mouses Track review

After relentless gigging, Billingham's lo-fi garage-punk duo Mouses are set to release their debut single: 'Poison'. If you haven't heard Mouses  before (firstly, where have you been for the past two years?), imagine the love child of  The Thermals, Dinosaur Jr  and Wheatus  on a generous kick of acid. The track opens by submerging you into a whirlpool of distorted guitar and fuzzy vocals, invigorating the track with a relentless energy. Despite the initially aggressive tone of the track, the infectiously catchy chorus provides it with a poppy undertone, making it incredibly upbeat and easy to dance/sing along to. I can envisage audiences belting out the lines: "I'm not breaking bones for you, I can be myself with a little bit of poison" - or at least that's what I presume Ste is singing under that heavy lo-fi disguise. If I'm perfectly honest, I'm unsure what the song is about, referencing' everything from; a 'crashing tiger...

Interview with Lee Allcock from NE VOLUME

I caught up with Lee Allcock, editor of   NE Volume , a music local magazine that celebrates everything the North East has to offer. Tell us about yourself and the story behind NE Volume ? My idea actually began back in college, where I basically wanted to go to gigs, review them, and get paid for it – I thought, at 16, that that would be the dream job. I then went on to study Journalism at Teesside University, and I worked voluntarily at another North East Music Magazine where I noticed they were covering the Newcastle area primarily. Whilst working for that magazine, I felt that bands, venues and music-related businesses in Teesside and the surrounding areas weren’t getting the recognition they deserved. So my idea basically came about because I wanted to help those involved in the music scene in this area – and the North East as a whole – to gain recognition for their hard work. Which artists and/or experiences fuelled your love of music and which albums do yo...