Sounds of an Eccentric

Photo by Alethea Shephard March is nearly upon us and with so many exciting independent gigs on the horizon, it's the perfect time to discover your new favourite band. 1st March - Contagious Courageous and In The Tune Presents: Scribble Victory, Rascalton, Emaze and Cameron Sinclair-Harris at the Sitwell Tavern 2nd March - Solis Debut E.P. Launch at Leaf on Portland Street 3rd March - The Harriets at Belgrave Canteen and Music Hall 4th March - Farfisa Single Release at Aatma 5th March - Here Lies Man at the Brudenell Social Club 6th March - THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE at Brudenell Social Club 7th March - Deep.Sleep at the Lending Room 8th March - Spotlight Music Presents: International Women's Day Showcase At Independent 9th March -  Sauvage, Mosaic Sun & Noah Noah at Tynemouth Surfcafe 10th March - Double Denim Live Presents: Avenoir Single Launch at Key Club 11th March -   Tranqua Lit

Photo by Sam Shaw 'When Love Goes Wrong' is the second single from Brighton indie-pop quartet Twilight Driving .  A heavy 80s pop and early 00s indie influence meanders throughout their music, radiating a wholesome, tranquil sound. Imagine The 1975 met Switchfoot  - you'd get a track like 'When Love Goes Wrong'. The simple melody is nostalgic of 00s indie-pop - it wouldn't be out of place in the background of a Hilary Duff Rom-Com. And that's not a bad thing, it just channels a soundtrack vibe. However, the charming synth harmonies gives it a modern edge and lovely ambiance. Intimate lyrics ('we're losing ourselves my dear', 'am I making you happy any more?') provides the track with a warm candidness that gives the track an honest intimacy. As the track conclues they incorporate some unusual distorted riffs. Unfortunately they just sound clumsy and obnoxious and distract from the sweet, twinkling synth and endearing vocals

On Thursday night Sheffield indie group SHEAFS kicked off their debut UK tour with a bolshie gig at Oporto in Leeds. Kicking the night off was new kids on the block Manuka Hive . A glitzy fusion of gritty riffs, proud harmonies and beefy bass. After opening with a somewhat lackluster track, they erupted into a gutsy, theatrical song that combined 60s rock with 00s indie.  They need to ditch the first track - it's the weakest in their set and they're capable of packing a far bigger punch. Their front man was a bit O.T.T. in parts, with some of his facial expressions just  looking odd or as if he was in pain. It was just a little self indulgent and there needed to be more connection with the crowd. However the bromance between the guitarist and bass player; paired with their big, catchy sound; did redeem their set. Considering they only formed in October, their existing set is admirable, and the weaker elements of their set are just growing pains. There's a lot of

Follow our Spotify playlist - a mix-tape dedicated to promoting the best independent bands from across the UK.  Each week I'll be adding five new tracks - but for the time being here's 30 tracks to get you started.  Featuring the likes of:  Tranqua Lite , Velvoir, Glass Peaks , Naked Six , SONS , Red Rum Club , Rival Bones  and Avalanche Party - you'll never be stuck for something to listen to again.

'Calexico' is the latest single by genre-blending sextet Red Rum Club  . The dynamic "Scouse Americana" group specialise in creating big cinematic tracks with a northern grit and 'Calexico' is arguably their strongest release to date. The track opens with gallant Americana trumpet, reinforced by ebullient percussion and a rich bass line, emitting a a Herculean sound that triumphantly demands the listener's undivided attention. A simple yet bold bass line meanders throughout the track, providing it with a sating depth and assertive, full-bodied sound. Front man Francis Doran's vocals are an inexplicably suave purr, embellished with a powerful grit. Occasionally his accent dominates a word, warming the track with an endearing candidness. His 'ai-ai-ai's' in the chorus gives the track a lighthearted catchiness - admittedly it's more on the Scouse(r on a night out) side than Americana but it's fun and makes you bop along. He

Explosive rock duo RIVAL BONES  are venturing to Jimmy's in Manchester next Sunday to support FALSE HEADS  on their 'Retina' tour. Akin to the likes of Royal Blood and Queens of the Stone Age , RIVAL BONES have established a brand of raucous, ballsy rock music that's apologetically authentic and more importantly, loud. Their seven single discography has earned critical praise from the likes of Louder Than War, All About Rock , RUSHONROCK and Maximum Volume - cementing them as one of the North West's most promising groups. Drummer Chris Thomason said: "We're looking forward to playing at Jimmy's for the first time and can't think of a better band to do it with than False Heads. We've heard great things about Jimmy's and we always have a party playing Manchester - so it's definitely one we're really looking forward to playing!" Get Your Tickets FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTA

Photo by Maddie Bright  Here it is! The very first episode of Booze, Bands, Banter - the show that toasts to and with the independent music scene. Big thank you to Below Stairs for letting us film in your gorgeous bar and our special guests Tranqua Lite. Catch Tranqua Lite at their headline gig at Chapel next Friday - click here to check out my review of their single 'Tempered Tides'. So without any further ado, kick back and have a cold one with us. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Photo by Tom Rowland Open Your Minds is the latest politically charged single from London four-piece Concrete Caverns . The track opens with a cooing, almost psychedelic guitar riff,  heightened by a menacing bass line and aggressive drums, creating a big, punchy sound from the get go. An upbeat, strummed riff adds a chirping catchiness to the song, contrasting nicely with the dark bass line and cementing it as a solid crowd pleaser. Joe Driffield's vocals are surprisingly well controlled for such an angsty track - he's able to switch from typical upbeat indie lilts, to  a serious political tone to ballsy, gritty snarls - showcasing an engaging range as a front man. In the chorus, charming vocal harmonies contrast the bold riffs and Driffield's bellows, giving it a rich depth and a feel-good factor despite the track's serious political message. The most impressive component of the song is its poetically political lyrics. Stand out lines include "fe

Last week Red Rum Club completed their nine date tour, enthralling audiences across the UK with their suave brand of "Scouse Americana". I caught up with front man Frances and drummer Neil  at the Lending Room to talk about  their tour,  the new single and  romantic mix tapes. 'Calexico' is set to be released this Friday - S.O.A.E. review coming Monday. Check out what I thought of their Leeds gig here. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

"Rib rattling riffs with a Mancunian Kiss" - Manchester trio Carnation's latest single 'Fatal Attraction is our track of the week. The track opens with whirring synth before welcoming poignant guitar and front man Saul Parker-Backhouse lilting vocals. The  crescendo into the catchy chorus engulfs the listener with in an armada of aggressive, distorted guitar, beefy bass and suave vocals, radiating a cool, 'give no fucks' vibe. As the song progresses garish punches of synth are added, giving it a ballsy edge and complimenting the intricate counter melody riff. The band are playing a sold out show this Friday at Jimmy's in Manchester with support from Sway and Little Strange. If you didn't get tickets, you can catch them in Sheffield , Manchester , Stockton or London in the upcoming weeks. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Last night Liverpudlian six-piece Red Rum Club enthralled a lively crowd at Leeds' Lending Room. Kicking the night off was Leeds based four-piece Turnstones . Unfortunately, the majority of their set was timid and unimpressive. Their songs were pleasant enough, just very safe sounding, and they looked painfully awkward on stage. However the last two tracks of their set were fantastic -they skyrocketed from blasé to ballsy. They engaged more with the audience and came out of their shells - it was like watching a completely different band. They need to scrap the first section of their set and focus on creating songs like the last two. Up next was local group Paradas . Their front man had a dreamy rock tone, akin to Kings of Leon's Caleb Followill, with an admirable vocal range. His lilting vocals complimented the gritty classic rock inspired riffs, giving their sound a rich depth. Occasionally their riffs were a bit repetitive, so it'd be interesting to see some

Enigmatic art-rock group Velvoir return with their explosive single: 'Jackboot' The track opens with a frenzy of pulsing bass and aggressive guitar before welcoming front woman Verity Jasmine Bee's gritty, alluring vocals. The single has a more of a rock edge than their previous tracks, with a bigger focus on the raw, ferocious energy that makes their live sets so compelling. However, like their previous releases the lyrics are evocative and thought-provoking, resonating with an intense, twisted sermon-esque vibe. As the track concludes, Bee channels her usual theatrical flair through a belligerent belting verse before erupting into a banshee-like scream. This is reinforced by an uninhibited wave of ebullient bass, herculean guitar and punchy percussion, emitting a colossal sound. It's a track that is easy to envisage in a live setting - it radiates with a nuclear buzz. Although their recorded material is great, Velvoir are a group that you have to experi

'Never Mind' is the debut single by Newcastle born artist Amy Marrianne. The twenty year old singer-songwriter has combined her background in musical theatre with her love of pop and folk music to create a bewitchingly mellow track. It's clear that she has been heavily influenced by French artist Bon Iver - as the single sounds like a middleman between 'Holocene' and '715 - CRΣΣKS'. The songs opens in an acapella style, delicately layering ethereal harmonies with vulnerable vocals, to create an hauntingly beautiful ambiance. Occasionally there's a glimmer of a Geordie accent tickling the vocals, which gives the track an endearing warmth and sense of character. As the song progresses, minimalist piano and flute accompanies the vocals, adding a sweet depth to the tranquil melody without compromising its gorgeous simplicity. Overall, it's a very promising debut single that highlights Amy Marrianne's ability to craft engaging and compos