Poison - Mouses Track review

After relentless gigging, Billingham's lo-fi garage-punk duo Mouses are set to release their debut single: 'Poison'.
If you haven't heard Mouses before (firstly, where have you been for the past two years?), imagine the love child of The Thermals, Dinosaur Jr and Wheatus on a generous kick of acid.
The track opens by submerging you into a whirlpool of distorted guitar and fuzzy vocals, invigorating the track with a relentless energy. Despite the initially aggressive tone of the track, the infectiously catchy chorus provides it with a poppy undertone, making it incredibly upbeat and easy to dance/sing along to. I can envisage audiences belting out the lines: "I'm not breaking bones for you, I can be myself with a little bit of poison" - or at least that's what I presume Ste is singing under that heavy lo-fi disguise.
If I'm perfectly honest, I'm unsure what the song is about, referencing' everything from; a 'crashing tiger', to a 'Jacobean scribe' to how 'Colours feel like spiders in my mind'.
However, overall the song works really well and I feel as though it's an unapologetically genuine representation of the band. A little quirky and off the wall, but incredibly charming. However, Mouses strongest tool in their arsenal is without their dynamic stage presence and I believe 'Poison' will be even more frantically impressive in a live setting.

The track is due to be released on Friday 6th May and the band are launching it on the 7th at the Westgarth Social Club in Middlesbrough.

Follow Mouses:
https://www.facebook.com/mousestheband/
www.twitter.com/mousestheband
https://www.instagram.com/mousestheband/

Comments

Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance. The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality. The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

demos or my nightmare? - CULT LUST demo review

Indie gigs have changed. Gone are the days when you danced or bopped along to the likes of Swim Deep or Peace , indie kids want to mosh. Hence the birth of Cult Lust, a ferocious fusion of fuzzy guitar and relentless percussion,that creates a heavy lo-fi sound. It's called skuz-pop - don't worry, I had to do google it too! Just imagine a band who's primary concern is making loud, gritty, grungy tunes. Despite only forming a few weeks ago, the band have already produced a two track demo; promoted via their active and bountiful social networking platforms. Both tracks are fairly lengthy (approx 10 mins combined), meaning the group are already a third of the way to having a live set under their belt. It's a really candid and raw recording, giving you insight into their practice sessions. This is best represented by the second track 'headf*ck' being opened by their front man saying "anyway, here's wonderwall" before exploding asking his fellow

Quirks Behind the Music - CULT LUST's Sam and Owen

For those readers who aren't familiar with you and your sound, tell us a little about yourself and your music? We’re Cult Lust! We’re a scuzzy garage trio from Newcastle-Upon-Tyne, we like to think we’re loud as fuck but probably not to the point where it becomes obnoxious, which is sort of a disappointment. We use a collaboration of horrible old fuzz pedals tied to ropey old vintage guitars, topped off with clean technical riffs and a heavy driving percussion force to produce a louder than life sound. Which artists have inspired both your music and your personal tastes? Owen – I started listening to Led Zeppelin when I was seven and I started playing drums because John Bonham’s drums sounded so good to me and I just wanted to be like him instantly. I grew my hair and got my first drum kit at 7 and it’s led me to where I am today. I’ve picked up a lot from other drummers because I’m self taught so there’s probably a bit of jazz influence in my drumming too . Sam

Sounds of an Eccentric

Search This Blog