Sounds of an Eccentric

Catfish and the Bottlemen are back. After being slightly underwhelmed by their last single release '7',  my faith has been restored in the Brit Nominated band. 'Soundcheck' is a more polished and lively track, that will undoubtedly become the latest addition to their collection of festival anthems. The song is driven by a sing-along chorus, giving the impression that album two will having a slightly more poppy sound, opposed to the very much guitar driven sound of their debut. The band still indulge in a guitar solo, but it's not as extravagant as 'The Balcony', it's more of a jam building up to a colossal final chorus. However despite these musical differences, the song's lyrics still possess the unromantic charm that made their music relatable and quaintly sentimental. The lines 'I race through sound check just to meet you on your fag break' and 'you could fall asleep with my jacket as a cover' really resonate, giving the so...

After hours of trying to think of a realistic set of Resolutions for 2016, I've decided to adopt a different approach. What's the point in criticising elements of yourself that weren't up to scratch last year when you can reflect on how much you've achieved this year? Now as much as I would love to indulge in boring you all with sentimental spiel, the content of this colloquial post is the bands that won over my heart and iPod during 2015. Foals - I'd always be mildly fond of Foals and really appreciated their music, but I never really classed myself as a fan per se. However, after being wowed by their latest album 'What went down', I started to listen to them more and more and my love for the band blossomed. There isn't a day that goes by that I don't listen to at least one Foal's song.  They're also a middle ground of musical tastes between myself and some of my nearest and dearest, so it is often the soundtrack to our social gatheri...

'Forget your name' is the charming debut track by native Cramlington lad Harry Smith. After supporting acts such as Raglans and playing at various venues including The Sage in Gateshead and Newcastle's THINK TANK , the young musician's demo is a promising step forward. The track itself is very intimate, with Smith's lilting vocals only being accompanied by delicate yet peppy acoustic guitar. The lyrics convey a sincerity without conforming to a sugary sweet register, addressing the mentality of a break up, opposed to spieling on about self-pity. The line 'what's the point reading everyone's destructions down to the letter' is particularly poignant and resonates with a candid charm. Smith's performances are elevated when accompanied by his tight-knit band and I can envisage this track becoming a powerful component of his set whilst enabling him to beguile vast audiences. Overall a solid 4/5 stars for the singer-songwriter.

'Love, Lust, Loss' is the latest four track EP from native Sheffield lads  The SSS.  The dynamic five-piece already have an impressive track record under their belts, winning 'unsigned track of the year' for their song 'Snake in the Grass' in 2013 and the group were voted 'Best Unsigned Band' by Exposed Magazine in 2015. The EP opens with the feel-good track 'Eighteen'. The song narrates the indie trope of being infatuated with a femme-fatale through catchy lyrics (executed by Josh Coddington and his Turner- esque tones) and even catchier bold guitar riffs. The ebullient drums and subtle bass cement a sturdy beat that will undoubtedly get crowds moving, long before the killer guitar solos send you into an indie infused bliss. The second track on the EP 'Calm before the storm' conveys a edgy tranquillity that is utterly charming. Fuelled by lilting vocals and mellifluous guitar, the band evoke a serene ambience. However ...

Bernaccia is a band who's name I've heard many times but never had the pleasure of seeing live. After listening to their track 'Power To The Hills', that is going to change as soon as possible. Before even clicking play on their SoundCloud, the fact that the track was embellished with "#psychedelic rock", made me a very happy lady and raised my expectations of the band. As much as I love indie, the Newcastle music scene is a little saturated with it, so it's refreshing to listen to something a little different every once and a while. The track opens with richly layered drums and synth, evoking a gorgeous ambience, before incorporating catchy looped guitar. The distinctive and almost bluesy tone to the vocals give the song a rockier edge but doesn't distract the listener from the bold guitar and bass, that create a ferocious fusion of rhythms and riffs. However, it is the ebullient drums really drives this track, providing the it with a sating substa...

Anyone who knows me, will tell you that I have a very broad and eclectic taste in music. However, the majority of my absolute favourite artists lie somewhere on the indie/rock/pop spectrum. The Newcastle scene is incredibly tight knit, which is why I love it, but it has meant that the majority of stuff I cover is in the same (or very similar) genres. So I decided to leave my double denim and paisley print comfort zone and go to a gig that was a genre which I have never been able to get into. Many have tried and failed miserably. I have vented many a time about how much I hate this genre and what goes on at that sort of gig. I despise metal and I hate mosh pits - they confuse and terrify me. Why scream so people can't appreciate your lyrics? Why would you want to hurt yourself, your friends and everyone around you? Why not just dance and enjoy the music? And breathe - rant over! Nothing quite like jumping into the deep end. Best to lose your metal gig virginity watching five band...

Every Sunday the Surf Café in Tynemouth plays host to a night of excellent music. Playing there on a Sunday has become a rite of passage for local artists, you know you're good if you get a spot on the bill. On top of the usual hype, there was a 'surprise headliner'... The first act of the night was an acoustic set by Karl Douthwaite, who combined sweet and melodic guitar with sentimental lyrics, characterised by his Geordie twang. Douthwaite's strongest original song was ''The way it goes'. The emotive track really resonated and the line: 'like the kiss she gives when she stands on her toes' was particularly poignant. The local lad balanced good music and chatter well, confessing why he loved performing first on a Sunday. "I don't work Mondays, so this is perfect. Play for half an hour and then get absolutely trollied!" The most entertaining part of his set was his cover of 'Sheila take a bow' by The Smiths. The room was un...