Sounds of an Eccentric

Photo by Alethea Shephard Sounds of an Eccentric is three years old! When I spontaneously wrote a review of a Little Comets gig three years ago, I never thought anyone (apart from my mam) would read it,   and to see how the blog has grown over the past few years is incredible and really humbling. I want to thank everyone who has supported me and my writing. Every band, artist, photographer, promoter, writer, or live music fan - you let me indulge in my two greatest passions in life and for that I am so grateful. In particular I'd like to thank Cath Wilcox (my darling Mama Soul and Number One fan), Jack and Carly Bowden, Shaan Sira, Ben Marcano-Olivier and all the Tranqua Lite Boys,  Russel Poad, Karl Hodge, Martina Topic, Richy Southern, Phil Mitchell, Mick Dolman, Chantel Littlewood, Arianne Jessop, Nathan Robinson, Alethea Shephard, Adam Gallagher, Cal Ruddy and all the team at Spotlight UK and Indie Central Music. You're all fabulous and have giv...

Photo by Ant Adams This week's 'Track of the Week' comes from Kent trio Glass Peaks . The dynamic three piece have taken a bold DIY move with their latest single; '(Don't) Ask Me To Dance', as they've independently recorded and mixed the track.  Their ballsy move has definitely paid off, as the track is arguably their most creative work to date. It's more mellow than their previous tracks, radiating a warm, endearing ambiance, that illustrates a cooler, suaver side to the group. Their older tracks use more synth and dance melodies, whereas this track has a more prominent guitar sound and showcases the range of front man Alfie Jefferies vocals, which flit from gravelly rock cries to dreamy lilts. As the track progresses bold riffs and drops gives the song a refreshing grit that's sure to be a 'wow moment' when performed live. The final instrumental incorporates a more upbeat vibe, providing the song with an engaging vigour and end...

Photo by Hayley Rawlings Last Friday Manchester based psyche-folk artist Solis christened her debut E.P, with an intimate and profoundly charming gig at Leaf on Portland Street. From the hand-painted tapestry to the feather scattered floor, the evening radiated a quintessentially bohemian vibe. The interluding chatter was minimal due to the hypnotically captivating energy of her performance. She was able to orchestrate the room, simultaneously summoning a gentle sway and raising the hairs on the back of your neck. Supporting the enigmatic artist was fellow Mancunian groups  Plume ,  Hark  and  Different Oceans , all of which amicably played stripped back versions of their set, heightening the tranquil aura of the evening. The eponymous E.P. features four of her most celebrated tracks: 'Spirits', 'Home', 'Osmosis' and her stand out track 'Be Together'. Fuelled by lilting vocals and an ethereal chorus, 'Be Together' is a dreamy ...

On Sunday night, Nottingham musician Jake Bugg played an intimate, acoustic gig at Leeds Grand Theatre. All the dates on the tour are at seated venues, creating a relaxed ambiance from the get go. Over the past few years, Bugg has established a prestigious brand for himself. The mainstream commercial success of his debut album has provided him with a wide fan base, which has consequently allowed him to be more creative with his later albums, earning his stripes with the critics. Kicking the night off was singer-songwriter Georgie. The artist is known for her soulful vocals and witty lyrics. The young artist captivated the room with her charming stage presence. The highlight of her set was her track 'Too Much TV' (the title track of her upcoming debut E.P.), a gritty, tongue-and-cheek ballad with a punchy chorus. Bugg then graced the stage, playing a ninety minute, stripped back acoustic set. It was a bold move that highlighted his skilled musicianship and demand...

Photo by Sam Shaw 'When Love Goes Wrong' is the second single from Brighton indie-pop quartet Twilight Driving .  A heavy 80s pop and early 00s indie influence meanders throughout their music, radiating a wholesome, tranquil sound. Imagine The 1975 met Switchfoot  - you'd get a track like 'When Love Goes Wrong'. The simple melody is nostalgic of 00s indie-pop - it wouldn't be out of place in the background of a Hilary Duff Rom-Com. And that's not a bad thing, it just channels a soundtrack vibe. However, the charming synth harmonies gives it a modern edge and lovely ambiance. Intimate lyrics ('we're losing ourselves my dear', 'am I making you happy any more?') provides the track with a warm candidness that gives the track an honest intimacy. As the track conclues they incorporate some unusual distorted riffs. Unfortunately they just sound clumsy and obnoxious and distract from the sweet, twinkling synth and endearing vocals...

On Thursday night Sheffield indie group SHEAFS kicked off their debut UK tour with a bolshie gig at Oporto in Leeds. Kicking the night off was new kids on the block Manuka Hive . A glitzy fusion of gritty riffs, proud harmonies and beefy bass. After opening with a somewhat lackluster track, they erupted into a gutsy, theatrical song that combined 60s rock with 00s indie.  They need to ditch the first track - it's the weakest in their set and they're capable of packing a far bigger punch. Their front man was a bit O.T.T. in parts, with some of his facial expressions just  looking odd or as if he was in pain. It was just a little self indulgent and there needed to be more connection with the crowd. However the bromance between the guitarist and bass player; paired with their big, catchy sound; did redeem their set. Considering they only formed in October, their existing set is admirable, and the weaker elements of their set are just growing pains. There's a lot of...

Explosive rock duo RIVAL BONES  are venturing to Jimmy's in Manchester next Sunday to support FALSE HEADS  on their 'Retina' tour. Akin to the likes of Royal Blood and Queens of the Stone Age , RIVAL BONES have established a brand of raucous, ballsy rock music that's apologetically authentic and more importantly, loud. Their seven single discography has earned critical praise from the likes of Louder Than War, All About Rock , RUSHONROCK and Maximum Volume - cementing them as one of the North West's most promising groups. Drummer Chris Thomason said: "We're looking forward to playing at Jimmy's for the first time and can't think of a better band to do it with than False Heads. We've heard great things about Jimmy's and we always have a party playing Manchester - so it's definitely one we're really looking forward to playing!" Get Your Tickets FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTA...

Photo by Maddie Bright  Here it is! The very first episode of Booze, Bands, Banter - the show that toasts to and with the independent music scene. Big thank you to Below Stairs for letting us film in your gorgeous bar and our special guests Tranqua Lite. Catch Tranqua Lite at their headline gig at Chapel next Friday - click here to check out my review of their single 'Tempered Tides'. So without any further ado, kick back and have a cold one with us. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Photo by Tom Rowland Open Your Minds is the latest politically charged single from London four-piece Concrete Caverns . The track opens with a cooing, almost psychedelic guitar riff,  heightened by a menacing bass line and aggressive drums, creating a big, punchy sound from the get go. An upbeat, strummed riff adds a chirping catchiness to the song, contrasting nicely with the dark bass line and cementing it as a solid crowd pleaser. Joe Driffield's vocals are surprisingly well controlled for such an angsty track - he's able to switch from typical upbeat indie lilts, to  a serious political tone to ballsy, gritty snarls - showcasing an engaging range as a front man. In the chorus, charming vocal harmonies contrast the bold riffs and Driffield's bellows, giving it a rich depth and a feel-good factor despite the track's serious political message. The most impressive component of the song is its poetically political lyrics. Stand out lines include "fe...

"Rib rattling riffs with a Mancunian Kiss" - Manchester trio Carnation's latest single 'Fatal Attraction is our track of the week. The track opens with whirring synth before welcoming poignant guitar and front man Saul Parker-Backhouse lilting vocals. The  crescendo into the catchy chorus engulfs the listener with in an armada of aggressive, distorted guitar, beefy bass and suave vocals, radiating a cool, 'give no fucks' vibe. As the song progresses garish punches of synth are added, giving it a ballsy edge and complimenting the intricate counter melody riff. The band are playing a sold out show this Friday at Jimmy's in Manchester with support from Sway and Little Strange. If you didn't get tickets, you can catch them in Sheffield , Manchester , Stockton or London in the upcoming weeks. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Last night Liverpudlian six-piece Red Rum Club enthralled a lively crowd at Leeds' Lending Room. Kicking the night off was Leeds based four-piece Turnstones . Unfortunately, the majority of their set was timid and unimpressive. Their songs were pleasant enough, just very safe sounding, and they looked painfully awkward on stage. However the last two tracks of their set were fantastic -they skyrocketed from blasé to ballsy. They engaged more with the audience and came out of their shells - it was like watching a completely different band. They need to scrap the first section of their set and focus on creating songs like the last two. Up next was local group Paradas . Their front man had a dreamy rock tone, akin to Kings of Leon's Caleb Followill, with an admirable vocal range. His lilting vocals complimented the gritty classic rock inspired riffs, giving their sound a rich depth. Occasionally their riffs were a bit repetitive, so it'd be interesting to see some ...

Enigmatic art-rock group Velvoir return with their explosive single: 'Jackboot' The track opens with a frenzy of pulsing bass and aggressive guitar before welcoming front woman Verity Jasmine Bee's gritty, alluring vocals. The single has a more of a rock edge than their previous tracks, with a bigger focus on the raw, ferocious energy that makes their live sets so compelling. However, like their previous releases the lyrics are evocative and thought-provoking, resonating with an intense, twisted sermon-esque vibe. As the track concludes, Bee channels her usual theatrical flair through a belligerent belting verse before erupting into a banshee-like scream. This is reinforced by an uninhibited wave of ebullient bass, herculean guitar and punchy percussion, emitting a colossal sound. It's a track that is easy to envisage in a live setting - it radiates with a nuclear buzz. Although their recorded material is great, Velvoir are a group that you have to experi...

'Never Mind' is the debut single by Newcastle born artist Amy Marrianne. The twenty year old singer-songwriter has combined her background in musical theatre with her love of pop and folk music to create a bewitchingly mellow track. It's clear that she has been heavily influenced by French artist Bon Iver - as the single sounds like a middleman between 'Holocene' and '715 - CRΣΣKS'. The songs opens in an acapella style, delicately layering ethereal harmonies with vulnerable vocals, to create an hauntingly beautiful ambiance. Occasionally there's a glimmer of a Geordie accent tickling the vocals, which gives the track an endearing warmth and sense of character. As the song progresses, minimalist piano and flute accompanies the vocals, adding a sweet depth to the tranquil melody without compromising its gorgeous simplicity. Overall, it's a very promising debut single that highlights Amy Marrianne's ability to craft engaging and compos...

Double Denim Live returned to Verve Bar on Saturday 27th January, hosting a night of music from local Leeds and Liverpool based bands. Kicking the night off was Merseyside trio  Ladies . Their sound was fuelled by a cocktail of 60s rock and 00s indie influences, giving it an preppy catchiness. Bold bass lines gave their music a nice depth and their front man's vocals possessed a sweet, wholesome charm. Unfortunately their stage presence was a little static and they need to engage with the crowd more. However, they did mention that they were all a little under the weather, which may explain their somewhat tame performance. Up next was Liverpudlian three piece  Turbulence  -  a quintessential guitar rock group with a beefy bass backbone. Tickling hints of classic indie gave their sound an upbeat edge, whilst the snarling vocals added a suave air to their music. They radiated a really big, impressive sound for a three piece. No frills, just loud energeti...

Middlesbrough pub and rock music venue; Doctor Brown's ; has caused outrage after implementing a ban on female fronted bands, stating their customers believe that women can't sing rock music well. The story gained national attention after The Northern Echo published a damning article on the situation.  Consequently, residents and musicians have started to boycott the venue. I contacted Doctor Brown's to hear their side of the story. Had the situation been blown out of proportion on social media, or were outdated, sexist attitudes being called out? Paula Rees, the pub's manager cited that the Northern Echo had lied and "twisted her words" and she was eager to talk to me to "set the record straight". She said that was more than happy to talk, asking me to ring up later when the pub was a little quieter. Rees also confessed that she wasn't a "big rock fan" and was just going with what her customers wanted, stating that they had...

Manchester indie-rockers Carnation , are set to headline a riotous show at The Peer Hat on Friday 15th December . The Manchester gig is the final date of their winter tour. The group have already played Birmingham, Newcastle, Leeds, Sheffield and Kazoopa Festival  and have received rapturous praise for each performance. Their sound is characterised by suave, angsty vocals, distorted riffs and gritty bass lines, all delivered with an unrivaled herculean energy. Supporting the ballsy three-piece is Messengers and AutoPilot  - both of which are renowned for their feel good indie-rock in their respective scenes. Front man Saul Backhouse describes the band as: "a three piece comprising of an Italian, a ginger and a gypsy - our riffs are heavier and more exciting than Kim Kardashian's left arse cheek". The band have expressed their excitement for their final show of the year, stating that the night "will be carnage". GET YOUR TICKETS HERE ...

Newcastle post-indie group Static Blue return with not one, but two new singles: 'Rabbit Hole' and 'Tarra'. The two singles are due to be released on 5th December, and will be launched at their headline show at Little Buildings on December 9th. The first track 'Rabbit Hole' opens with a charmingly nostalgic guitar riff, before introducing a disco drum beat and hazy, daydream vocals, creating a post-indie and disco hybrid. It's a lot more reserved then their previous singles, which have grittier (and occasionally camp) undertones. The ambient harmonies and lilting vocals work well together to produce a really pretty tonality and the group have the solid foundations for adding an ethereal, tranquil side to their music. The track could have been elevated if the bass line was more pronounced - there's some really delicious riffs but we only get a little nibble of its flavour. Also the screaming in the final chorus is a bit distracting and spoi...

Double Denim Live returned to Verve Bar last Saturday, hosting an electric night of music from Bonsai , The Black Roses and The Brookes . Kicking the night off was Stoke-on-Trent  based group Bonsai . Their music itself was good, and they're definitely all decent musicians. There were glimmers of optimism with the guitar solos and heavier bass lines, but their sound isn't quite fluid yet. They need to ditch the cheesy pop lyrics and go down the heavier route. Their  biggest sin however, was their overly animated front man, who just cheapened their act. His stage presence was so over the top that it was cringe-worthy and distracted from the music. He needs to reel it in and let their music do the talking. They need to give their songs more character, rather than relying on a zany stage presence. Up next was North-London indie group The Black Roses . The quartet incorporate blues and punk undertones into their music, which when combined with their gritty, dist...

Newcastle rapper J Smirk has been nominated for the 'Best of British Best Unsigned Male' award at the Unsigned Music Awards. Despite only emerging on the scene a year ago, J Smirk has gone from strength to strength, building an explosive set list, accumulating radio plays and supporting  DJ Yella and   N.W.A on their 'Straight Outta Compton' tour at the O2 Academy. J Smirk said: "It's an honour to be nominated, one of the hard things about being independent is gaining that recognition we all need to push on, so it's incredible to see the credit we all deserve." The U.M.A's launched in 2012 and they strive to showcase the Best of British Talent. Past winner  Molly Smitten-Dowes  went on to represent GB at the Eurovision song contest in 2014. J Smirk has also been entered into the 'Critics Choice Award', which will be judged by You Me at Six guitarist Max Helyer, BBC Introducing radio presenter Dave Gilyeat and Louise ...