Sounds of an Eccentric

Photo by Tom Rowland Open Your Minds is the latest politically charged single from London four-piece Concrete Caverns . The track opens with a cooing, almost psychedelic guitar riff,  heightened by a menacing bass line and aggressive drums, creating a big, punchy sound from the get go. An upbeat, strummed riff adds a chirping catchiness to the song, contrasting nicely with the dark bass line and cementing it as a solid crowd pleaser. Joe Driffield's vocals are surprisingly well controlled for such an angsty track - he's able to switch from typical upbeat indie lilts, to  a serious political tone to ballsy, gritty snarls - showcasing an engaging range as a front man. In the chorus, charming vocal harmonies contrast the bold riffs and Driffield's bellows, giving it a rich depth and a feel-good factor despite the track's serious political message. The most impressive component of the song is its poetically political lyrics. Stand out lines include "fe...

"Rib rattling riffs with a Mancunian Kiss" - Manchester trio Carnation's latest single 'Fatal Attraction is our track of the week. The track opens with whirring synth before welcoming poignant guitar and front man Saul Parker-Backhouse lilting vocals. The  crescendo into the catchy chorus engulfs the listener with in an armada of aggressive, distorted guitar, beefy bass and suave vocals, radiating a cool, 'give no fucks' vibe. As the song progresses garish punches of synth are added, giving it a ballsy edge and complimenting the intricate counter melody riff. The band are playing a sold out show this Friday at Jimmy's in Manchester with support from Sway and Little Strange. If you didn't get tickets, you can catch them in Sheffield , Manchester , Stockton or London in the upcoming weeks. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Last night Liverpudlian six-piece Red Rum Club enthralled a lively crowd at Leeds' Lending Room. Kicking the night off was Leeds based four-piece Turnstones . Unfortunately, the majority of their set was timid and unimpressive. Their songs were pleasant enough, just very safe sounding, and they looked painfully awkward on stage. However the last two tracks of their set were fantastic -they skyrocketed from blasé to ballsy. They engaged more with the audience and came out of their shells - it was like watching a completely different band. They need to scrap the first section of their set and focus on creating songs like the last two. Up next was local group Paradas . Their front man had a dreamy rock tone, akin to Kings of Leon's Caleb Followill, with an admirable vocal range. His lilting vocals complimented the gritty classic rock inspired riffs, giving their sound a rich depth. Occasionally their riffs were a bit repetitive, so it'd be interesting to see some ...

Enigmatic art-rock group Velvoir return with their explosive single: 'Jackboot' The track opens with a frenzy of pulsing bass and aggressive guitar before welcoming front woman Verity Jasmine Bee's gritty, alluring vocals. The single has a more of a rock edge than their previous tracks, with a bigger focus on the raw, ferocious energy that makes their live sets so compelling. However, like their previous releases the lyrics are evocative and thought-provoking, resonating with an intense, twisted sermon-esque vibe. As the track concludes, Bee channels her usual theatrical flair through a belligerent belting verse before erupting into a banshee-like scream. This is reinforced by an uninhibited wave of ebullient bass, herculean guitar and punchy percussion, emitting a colossal sound. It's a track that is easy to envisage in a live setting - it radiates with a nuclear buzz. Although their recorded material is great, Velvoir are a group that you have to experi...

Double Denim Live returned to Verve Bar on Saturday 27th January, hosting a night of music from local Leeds and Liverpool based bands. Kicking the night off was Merseyside trio  Ladies . Their sound was fuelled by a cocktail of 60s rock and 00s indie influences, giving it an preppy catchiness. Bold bass lines gave their music a nice depth and their front man's vocals possessed a sweet, wholesome charm. Unfortunately their stage presence was a little static and they need to engage with the crowd more. However, they did mention that they were all a little under the weather, which may explain their somewhat tame performance. Up next was Liverpudlian three piece  Turbulence  -  a quintessential guitar rock group with a beefy bass backbone. Tickling hints of classic indie gave their sound an upbeat edge, whilst the snarling vocals added a suave air to their music. They radiated a really big, impressive sound for a three piece. No frills, just loud energeti...

This week Northern Exposure announced their shortlisted 20 bands for the INMusic Festival slot in Croatia. To win the competition and play alongside the likes of Queens of the Stone Age and Nick Cage & The Bad seeds, the twenty bands have to impress a team of independent industry professionals.  The top six will be announced on Monday 15th January. The bands will then have to play a show at Sheffield Hallam Union on February 10th, where the final winner will be announced. THE RECEIVERS Newcomers The Receivers have had an impressive debut year, releasing their debut EP, getting singed to Alya Records and earning themselves a loyal fan base across Yorkshire. Their sound is characterised by ferocious guitar riffs, relentless percussion and infectiously catchy choruses.  FALSE HEADS Known for their gutsy brand of post-punk guitar rock, FALSE HEADS are one of the hottest bands on the independent circuit at the moment. Their sound is loud and gutsy fre...

Middlesbrough pub and rock music venue; Doctor Brown's ; has caused outrage after implementing a ban on female fronted bands, stating their customers believe that women can't sing rock music well. The story gained national attention after The Northern Echo published a damning article on the situation.  Consequently, residents and musicians have started to boycott the venue. I contacted Doctor Brown's to hear their side of the story. Had the situation been blown out of proportion on social media, or were outdated, sexist attitudes being called out? Paula Rees, the pub's manager cited that the Northern Echo had lied and "twisted her words" and she was eager to talk to me to "set the record straight". She said that was more than happy to talk, asking me to ring up later when the pub was a little quieter. Rees also confessed that she wasn't a "big rock fan" and was just going with what her customers wanted, stating that they had...

Manchester indie-rockers Carnation , are set to headline a riotous show at The Peer Hat on Friday 15th December . The Manchester gig is the final date of their winter tour. The group have already played Birmingham, Newcastle, Leeds, Sheffield and Kazoopa Festival  and have received rapturous praise for each performance. Their sound is characterised by suave, angsty vocals, distorted riffs and gritty bass lines, all delivered with an unrivaled herculean energy. Supporting the ballsy three-piece is Messengers and AutoPilot  - both of which are renowned for their feel good indie-rock in their respective scenes. Front man Saul Backhouse describes the band as: "a three piece comprising of an Italian, a ginger and a gypsy - our riffs are heavier and more exciting than Kim Kardashian's left arse cheek". The band have expressed their excitement for their final show of the year, stating that the night "will be carnage". GET YOUR TICKETS HERE ...

Newcastle post-indie group Static Blue return with not one, but two new singles: 'Rabbit Hole' and 'Tarra'. The two singles are due to be released on 5th December, and will be launched at their headline show at Little Buildings on December 9th. The first track 'Rabbit Hole' opens with a charmingly nostalgic guitar riff, before introducing a disco drum beat and hazy, daydream vocals, creating a post-indie and disco hybrid. It's a lot more reserved then their previous singles, which have grittier (and occasionally camp) undertones. The ambient harmonies and lilting vocals work well together to produce a really pretty tonality and the group have the solid foundations for adding an ethereal, tranquil side to their music. The track could have been elevated if the bass line was more pronounced - there's some really delicious riffs but we only get a little nibble of its flavour. Also the screaming in the final chorus is a bit distracting and spoi...