Sounds of an Eccentric

Enigmatic art-rock group Velvoir return with their explosive single: 'Jackboot' The track opens with a frenzy of pulsing bass and aggressive guitar before welcoming front woman Verity Jasmine Bee's gritty, alluring vocals. The single has a more of a rock edge than their previous tracks, with a bigger focus on the raw, ferocious energy that makes their live sets so compelling. However, like their previous releases the lyrics are evocative and thought-provoking, resonating with an intense, twisted sermon-esque vibe. As the track concludes, Bee channels her usual theatrical flair through a belligerent belting verse before erupting into a banshee-like scream. This is reinforced by an uninhibited wave of ebullient bass, herculean guitar and punchy percussion, emitting a colossal sound. It's a track that is easy to envisage in a live setting - it radiates with a nuclear buzz. Although their recorded material is great, Velvoir are a group that you have to experi...

'$pend $ome Tim€' is the latest release from Newcastle solo artist $lick king a.k.a.: Callum Casey. Casey is renowned for composing pieces that are satires of alternative genres, creating catchy tunes that incorporate muzac themes and pairing them with farcical music videos. He has described the song as: "a bunch of 'indie cool kid' music clichés thrown together. It's a basically Chamber of Reflection by Mac DeMarco, Boredom by Tyler the Creator and Tame Impala all blended together". The track opens with a simple, twinkling synth riff, before welcoming a disco beat and mellow vocals. It's the ultimate 'chill in the bath' track. It's an easy listen with a heavy 80s influence that gives it an upbeat catchiness and an endearing warmth that'll make you want to smile and bop along. DooDle$ by $lick King FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Newcastle post-indie group Static Blue return with not one, but two new singles: 'Rabbit Hole' and 'Tarra'. The two singles are due to be released on 5th December, and will be launched at their headline show at Little Buildings on December 9th. The first track 'Rabbit Hole' opens with a charmingly nostalgic guitar riff, before introducing a disco drum beat and hazy, daydream vocals, creating a post-indie and disco hybrid. It's a lot more reserved then their previous singles, which have grittier (and occasionally camp) undertones. The ambient harmonies and lilting vocals work well together to produce a really pretty tonality and the group have the solid foundations for adding an ethereal, tranquil side to their music. The track could have been elevated if the bass line was more pronounced - there's some really delicious riffs but we only get a little nibble of its flavour. Also the screaming in the final chorus is a bit distracting and spoi...