Newcastle post-indie group Static Blue return with not one, but two new singles: 'Rabbit Hole' and 'Tarra'. The two singles are due to be released on 5th December, and will be launched at their headline show at Little Buildings on December 9th.
The first track 'Rabbit Hole' opens with a charmingly nostalgic guitar riff, before introducing a disco drum beat and hazy, daydream vocals, creating a post-indie and disco hybrid.
It's a lot more reserved then their previous singles, which have grittier (and occasionally camp) undertones.
The ambient harmonies and lilting vocals work well together to produce a really pretty tonality and the group have the solid foundations for adding an ethereal, tranquil side to their music.
The track could have been elevated if the bass line was more pronounced - there's some really delicious riffs but we only get a little nibble of its flavour.
Also the screaming in the final chorus is a bit distracting and spoils the otherwise charming vocal harmonies. This is only for a few seconds, so it's not too much of a sin, but it does make the song's conclusion a little disjointed.
However, these are two minor things that could easily be changed and may actually be fine in their live performances, which are renowned for their eccentricity and colossal energy.
The second single 'Tarra' radiates a softer, more delicate vibe. It orientates around a simple melody and endearing lyrics of lovers by the sea.
It radiates a somewhat morose yet upbeat vibe and really showcases a more vulnerable, candid side to Static Blue.
The song makes me envisage front man Callum Casey serenading (and swooning over) a girl wearing culottes, a red beret and smoking a menthol cigarette. Something a little more chic than his usual choice of muse, but still unapologetically artsy with a hint of pretentiousness. In a good way.
It's a well-rounded, honest love song that isn't convoluted with bells and whistles (literally and figuratively) and shows that the group can produce straightforward ballads as well as big, wacky, loud numbers.
Static Blue have had more direction changes and band mates than Spinal Tap, but this is definitely their most organic and genuine sounding releases to date.
The shock factor of their quirky brand has taken a warm and endearing turn and these two singles have a refreshing edge to them. They're not trying to be different or edgy and their sound is much more balanced now that they've ditched the second bass player.
They've found how to effectively combine their different tastes and influences and have created something that is catchy and pleasant to listen to, whilst maintaining their zany personalities.
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