Skip to main content

Documentary: Grass Root - How music cities are saving grass root music venues



Last year, I had the pleasure of going around the UK creating an audio documentary for my degree's final project.

I looked into how music city organisations are helping to preserve independent music venues in the UK, and the cultural significance of these bijoux venues.

I thought it was an apt time to release this documentary, as many venues in the UK are currently struggling due to lockdown.

The documentary explores the issues that venues have faced over the last decade, from high business rates to changes in planning laws. It can be difficult for these vital cultural hubs to stay open, without having to deal with the repercussions of a global pandemic.

The Music Venue Trust has joined forces with venues across the nation, in a bid to make sure that they can keep their doors open and the music blasting post-lockdown.

If you're in a position to donate to the 'Save our Venues' campaign, click here. 

So without further ado, here is 'Grass Root - How music cities are saving music venues': enjoy!



A special thanks to:
Robert Kronenberg
Dave Harper
Jamie Otsa
Jack Simpson
Alex Lindsay
Bob Brazil
Tom Kiehl
Sam Nicholls
Beverley Whitrick
Winston Hazel
Sam Chadwick
Luke Coombe
Allan Scorer
Toby Womack
Calum McGreggor
Jacob Arundale
Matthew Davison
Tony Eirera
Tom Buckley
Grace Kelly
Hannah Baraclough
Gabby Cooke
Grace Stubbings
Jess Ayres
A special thanks for clips and music to:
The Wholls
Team Picture
VENUS
Tranqua Lite
Catmando
Yammerer
New Balance
The Beatles
The Smiths
Granada Report

Comments

Popular posts from this blog

Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance.  The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality.  The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

demos or my nightmare? - CULT LUST demo review

Indie gigs have changed. Gone are the days when you danced or bopped along to the likes of Swim Deep  or Peace , indie kids want to mosh. Hence the birth of Cult Lust,  a ferocious fusion of fuzzy guitar and relentless percussion,that creates a heavy lo-fi sound. It's called skuz-pop - don't worry, I had to do google it too! Just imagine a band who's primary concern is making loud, gritty, grungy tunes. Despite only forming a few weeks ago, the band have already produced a two track demo; promoted via their active and bountiful social networking platforms. Both tracks are fairly lengthy (approx 10 mins combined), meaning the group are already a third of the way to having a live set under their belt. It's a really candid and raw recording, giving you insight into their practice sessions. This is best represented by the second track 'headf*ck' being opened by their front man saying "anyway, here's wonderwall" before exploding asking his fellow

Poison - Mouses Track review

After relentless gigging, Billingham's lo-fi garage-punk duo Mouses are set to release their debut single: 'Poison'. If you haven't heard Mouses  before (firstly, where have you been for the past two years?), imagine the love child of  The Thermals, Dinosaur Jr  and Wheatus  on a generous kick of acid. The track opens by submerging you into a whirlpool of distorted guitar and fuzzy vocals, invigorating the track with a relentless energy. Despite the initially aggressive tone of the track, the infectiously catchy chorus provides it with a poppy undertone, making it incredibly upbeat and easy to dance/sing along to. I can envisage audiences belting out the lines: "I'm not breaking bones for you, I can be myself with a little bit of poison" - or at least that's what I presume Ste is singing under that heavy lo-fi disguise. If I'm perfectly honest, I'm unsure what the song is about, referencing' everything from; a 'crashing tiger