Track of the Week- Velvoir 'Jackboot'

Enigmatic art-rock group Velvoir return with their explosive single: 'Jackboot'

The track opens with a frenzy of pulsing bass and aggressive guitar before welcoming front woman Verity Jasmine Bee's gritty, alluring vocals.

The single has a more of a rock edge than their previous tracks, with a bigger focus on the raw, ferocious energy that makes their live sets so compelling.

However, like their previous releases the lyrics are evocative and thought-provoking, resonating with an intense, twisted sermon-esque vibe.

As the track concludes, Bee channels her usual theatrical flair through a belligerent belting verse before erupting into a banshee-like scream. This is reinforced by an uninhibited wave of ebullient bass, herculean guitar and punchy percussion, emitting a colossal sound.

It's a track that is easy to envisage in a live setting - it radiates with a nuclear buzz. Although their recorded material is great, Velvoir are a group that you have to experience live, as their stage presence is simply unrivaled.

Vevloir have a very special place in my heart - they were one of the first bands I reviewed when I started SOAE back in 2015 and their raunchy, bizarre performance completely blew my mind.

That review earned me a spot on the NE Volume team, which allowed me to be published in print for the first time and they also headlined the last ever gig I put on with NOUVEAU Events.

So needless to say, it gives me immense pleasure to see how the band as evolved and whilst maintaining their beautifully Delphic roots.

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Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance. The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality. The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

'YOUR TRIP BEGINS NOW' - THE FROOT '67 E.P. REVIEW

'Your trip begins now' is the latest four track E.P. from Hull's finest pysche rock outfit: The Froot '67. As the name would suggest, the group's roots are planted within dynamic 60's rock and the band have revitalised this era through their bold, gritty sound. The E.P. opens with 'Chaos Theory', a track that is fuelled by frantic and beefy lo-fi riffs, whilst Newby's vocals take a more subtle, nonchalant route. Despite being a psyche rock track, the overall sound of the song reminds me of a more reserved version of 'Gravedweller' by The Wytches. It's a very different sound to their debut album; '7 past 8'; but this grungier edge is definitely a good thing for the group. It's broadening their sound without destroying the unique vibe they've already established for themselves. Plus, it;s a really engaging opening to the E.P. and sets a raw, and somewhat brooding, ambiance for the E.P. The following track, 'I don...

Red Rum Club with Support From Tiger Twins, Paradas and Turnstones

Last night Liverpudlian six-piece Red Rum Club enthralled a lively crowd at Leeds' Lending Room. Kicking the night off was Leeds based four-piece Turnstones . Unfortunately, the majority of their set was timid and unimpressive. Their songs were pleasant enough, just very safe sounding, and they looked painfully awkward on stage. However the last two tracks of their set were fantastic -they skyrocketed from blasé to ballsy. They engaged more with the audience and came out of their shells - it was like watching a completely different band. They need to scrap the first section of their set and focus on creating songs like the last two. Up next was local group Paradas . Their front man had a dreamy rock tone, akin to Kings of Leon's Caleb Followill, with an admirable vocal range. His lilting vocals complimented the gritty classic rock inspired riffs, giving their sound a rich depth. Occasionally their riffs were a bit repetitive, so it'd be interesting to see some ...

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